1968 Gibson EDS-1275 Double Neck

This guitar was a really Rock n Roll guitar legend from a legendary guitar player Jimmy Page!

Jimmy Page debuted the Double Neck on March 5, 1971 at Belfast, Ireland's Ulster Hall for Stairway to heaven.

General Specs

Body: Solid Mahogany, double cutaway shape with pointed ends, no binding Finish: Heritage Cherry Neck: 1-piece mahogany Fingerboard: Rosewood with double parallelogram pearl inlays Frets: 20 Bridge: ABR-1 Tune-o-matic Bridge Headstock: Unbound with 'Gibson' logo pearl inlay Tuners: Kluson Deluxe Hardware: Nickel-plated Pickguard: 5-ply black acrylic with beveled edges Pickups: Double-black Patent Applied For (PAF) humbucking pickups Controls: (2) Volume & (2) Tone Gold Speed knobs, 3-position toggle switch for the necks (located on lower horn), 3-position toggle switch for pickups (located between bridges) Years in use: 1971-Present Dimensions: 16"W x 17"L x 1-5/16"D, 34 lbs Serial Number: 911117

Paul Gilbert Fuzz Universe Pedal

Majik Box has made a lot of noise lately with their growing line of effects pedals and sweet sounding Sonic Source pickups and stompboxes. They’ve already won over high-profile customers like Mars Volta’s Omar Rodriguez–Lopez, Larry Mitchell, and Doug Aldrich, and the Torrance, California company now also counts Paul Gilbert among its clients. 

The Majik Box Paul Gilbert Fuzz Universe pedal was developed for Gilbert by combining the Majik Box Body Blow, which set to Paul's favorite settings—Modern voicing and bassier low-cut, plus a custom tone control sweep—and the Majik Box Venom Boost. These two pedals were used extensively on Paul’s Fuzz Universe album. And the two circuits combined and modified become a multi-faceted monster of many voices. 

What’s The Deal?
First off, the Fuzz Universe not really a fuzz pedal. Paul just calls it that because he’s wacky. But with a built-in boost channel it’s a little more complex than your average overdrive, and the additional functionality makes the very smart, and easy-to-navigate control layout noteworthy. It’s a very logical control set. On the lower right you’ll find the On/Off switch for Thrust 1, or the overdrive channel. On the upper left side of the unit is a chicken-head knob called Thrust 2 that controls the volume for the clean boost. The three round knobs arrayed in an echelon formation control the overdrive parameters—Drive controls the level of gain, Tone controls the EQ, and Thrust 1 controls the volume. Inputs and Outputs reside on the left and right sides. Powering up the Fuzz Universe requires a Negative Tip Adapter, and removal of the 9-volt battery is recommended if you’re using an AC adapter. 

Anti-Effect pedal by ChaoSound

This is a really fuckin freakin weird guitar effect. Just from its name: Anti-Effect!!

There are an awful lot of guitar effects pedals that massage, tweak, clean, or otherwise enhance the signal from a guitar's pickups before it reaches the amplifier. The Anti-Effect from Poland's Chaosound turns its back on all that goodness and tries its best to destroy the sound instead.

Basically, the Anti-Effect causes a guitar’s signal to stutter and sputter like a bad cable being jiggled by a highly caffeinated crack addict. A rate control adjusts the speed of the effect, while the depth control dials in its intensity. A four-position sequence control alters the rhythmic pattern, although each setting has its own unpredictable tendencies.

The two footswitches are both momentary, turning the effect on or producing the effect at full depth as long as the switch is held down and generating sounds that resemble an amp about to explode, but without melting tubes or blown up transformers. 

List Price: $239

Zakk Wylde Overdrive pedal

Can you imagine, Zakk Wylde using an overdrive pedal? Well this is not a joke at all, he is best known for his full blown high gain guitar sound, but he also love to use an overdrive pedal! Jim Dunlop make one for him, check this out!

Whether on his ground breaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde's guitar playing is loud, tough, and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. The three simple controls—Output, Tone and Gain—make getting up and running easy, so you can concentrate on the business at hand: kicking major ass.

Power: Dunlop ECB003 AC Adapter or single 9 volt battery

Need to learn some Fast Faster Fastest Lick from Gilbert?

Its a really jaw breaking lesson for all shredder out there!

Acid Rain - Liquid Tension Experiment

You guys really should watch this video, trust me, its the most valuable 10 minutes of your life! With all my heart, please please watch this, especially the John Petrucci solo!

Seymour Duncan '59 model

You know what 59 stand for? Its the year when this pickup is firstly introduce to the world, yeah 1959 guys! Seymour duncan made the replica of the mighty 1959 pickup from the Gibson Les Paul, and here it is the 59 model by Seymour Duncan!

application
Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock.

description
Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the '59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance.

complete setup
Available in both neck and bridge models. Often a '59 neck is used together with a hotter bridge pickup like the SH-4 JB or SH-13 Dimebucker for extra versatility.

guitars
For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards.

available mods 
Four-conductor cable. Trembucker. Nickel or gold-plated cover. 7-string version. Seymour Duncan logo. Available in matched set of '59 bridge and '59 neck. Colors (humbucker spacing)

players
Ben Harper (neck & bridge), Robben Ford (neck & bridge), Mike Einzinger / Incubus (neck), Robert Smith / The Cure