1968 Gibson EDS-1275 Double Neck

This guitar was a really Rock n Roll guitar legend from a legendary guitar player Jimmy Page!

Jimmy Page debuted the Double Neck on March 5, 1971 at Belfast, Ireland's Ulster Hall for Stairway to heaven.

General Specs

Body: Solid Mahogany, double cutaway shape with pointed ends, no binding Finish: Heritage Cherry Neck: 1-piece mahogany Fingerboard: Rosewood with double parallelogram pearl inlays Frets: 20 Bridge: ABR-1 Tune-o-matic Bridge Headstock: Unbound with 'Gibson' logo pearl inlay Tuners: Kluson Deluxe Hardware: Nickel-plated Pickguard: 5-ply black acrylic with beveled edges Pickups: Double-black Patent Applied For (PAF) humbucking pickups Controls: (2) Volume & (2) Tone Gold Speed knobs, 3-position toggle switch for the necks (located on lower horn), 3-position toggle switch for pickups (located between bridges) Years in use: 1971-Present Dimensions: 16"W x 17"L x 1-5/16"D, 34 lbs Serial Number: 911117

Paul Gilbert Fuzz Universe Pedal

Majik Box has made a lot of noise lately with their growing line of effects pedals and sweet sounding Sonic Source pickups and stompboxes. They’ve already won over high-profile customers like Mars Volta’s Omar Rodriguez–Lopez, Larry Mitchell, and Doug Aldrich, and the Torrance, California company now also counts Paul Gilbert among its clients. 

The Majik Box Paul Gilbert Fuzz Universe pedal was developed for Gilbert by combining the Majik Box Body Blow, which set to Paul's favorite settings—Modern voicing and bassier low-cut, plus a custom tone control sweep—and the Majik Box Venom Boost. These two pedals were used extensively on Paul’s Fuzz Universe album. And the two circuits combined and modified become a multi-faceted monster of many voices. 

What’s The Deal?
First off, the Fuzz Universe not really a fuzz pedal. Paul just calls it that because he’s wacky. But with a built-in boost channel it’s a little more complex than your average overdrive, and the additional functionality makes the very smart, and easy-to-navigate control layout noteworthy. It’s a very logical control set. On the lower right you’ll find the On/Off switch for Thrust 1, or the overdrive channel. On the upper left side of the unit is a chicken-head knob called Thrust 2 that controls the volume for the clean boost. The three round knobs arrayed in an echelon formation control the overdrive parameters—Drive controls the level of gain, Tone controls the EQ, and Thrust 1 controls the volume. Inputs and Outputs reside on the left and right sides. Powering up the Fuzz Universe requires a Negative Tip Adapter, and removal of the 9-volt battery is recommended if you’re using an AC adapter. 

Anti-Effect pedal by ChaoSound

This is a really fuckin freakin weird guitar effect. Just from its name: Anti-Effect!!

There are an awful lot of guitar effects pedals that massage, tweak, clean, or otherwise enhance the signal from a guitar's pickups before it reaches the amplifier. The Anti-Effect from Poland's Chaosound turns its back on all that goodness and tries its best to destroy the sound instead.

Basically, the Anti-Effect causes a guitar’s signal to stutter and sputter like a bad cable being jiggled by a highly caffeinated crack addict. A rate control adjusts the speed of the effect, while the depth control dials in its intensity. A four-position sequence control alters the rhythmic pattern, although each setting has its own unpredictable tendencies.

The two footswitches are both momentary, turning the effect on or producing the effect at full depth as long as the switch is held down and generating sounds that resemble an amp about to explode, but without melting tubes or blown up transformers. 

List Price: $239

Zakk Wylde Overdrive pedal

Can you imagine, Zakk Wylde using an overdrive pedal? Well this is not a joke at all, he is best known for his full blown high gain guitar sound, but he also love to use an overdrive pedal! Jim Dunlop make one for him, check this out!

Whether on his ground breaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde's guitar playing is loud, tough, and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. The three simple controls—Output, Tone and Gain—make getting up and running easy, so you can concentrate on the business at hand: kicking major ass.

Power: Dunlop ECB003 AC Adapter or single 9 volt battery

Need to learn some Fast Faster Fastest Lick from Gilbert?

Its a really jaw breaking lesson for all shredder out there!

Acid Rain - Liquid Tension Experiment

You guys really should watch this video, trust me, its the most valuable 10 minutes of your life! With all my heart, please please watch this, especially the John Petrucci solo!

Seymour Duncan '59 model

You know what 59 stand for? Its the year when this pickup is firstly introduce to the world, yeah 1959 guys! Seymour duncan made the replica of the mighty 1959 pickup from the Gibson Les Paul, and here it is the 59 model by Seymour Duncan!

application
Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock.

description
Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the '59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance.

complete setup
Available in both neck and bridge models. Often a '59 neck is used together with a hotter bridge pickup like the SH-4 JB or SH-13 Dimebucker for extra versatility.

guitars
For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards.

available mods 
Four-conductor cable. Trembucker. Nickel or gold-plated cover. 7-string version. Seymour Duncan logo. Available in matched set of '59 bridge and '59 neck. Colors (humbucker spacing)

players
Ben Harper (neck & bridge), Robben Ford (neck & bridge), Mike Einzinger / Incubus (neck), Robert Smith / The Cure 

Seymour Duncan Jazz Model

application
Classic moderate output humbucker. Especially popular in neck position. Don't let the name fool you; it's not only great for jazz, but also country, blues, funk, classic rock and heavy rock.

description
Provides an articulate and clear tone. Great for fast runs. The brighter tone has slightly less output and is a good match with most bridge pickups. When distorted, the tone is full and bright. Smooth sustain. Compared to the SH-1 '59 Model, the Jazz has slightly less output and a more detailed treble response. Comes with four-conductor hookup cable.

complete setup
Available in both neck and bridge models. Often a Jazz neck is paired with an SH-4 JB (Seymour's favorite combination) or SH-5 Duncan Custom in the bridge position for diverse tones.

guitars
For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards. Also works great with hollow and semi-hollow body guitars.

available mods 
Nickel or gold-plated cover. 7-string neck version. Available in a matched set with an SH-4 JB for the bridge. Colors (hum bucker spacing)

players
Jerry Horton / Papa Roach (neck), Dave Mustaine / Megadeth (neck), Doug Pettibone / Lucinda Williams (neck)

Seymour Duncan JB model Pickup

This is one of the most popular and the best selling Seymour Duncan pickup, the selling number can't be wrong to show how good this pickup are.

application
The archetype hot-rodded humbucker for over 35 years. Great for everything from heavy blues to heavy metal.

description
The world's most popular humbucker. Provides slammin' output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock 'n' roll. Compared to the SH-14 Custom 5, the JB has a stronger treble detail. Some players use it with 250K pots to smooth out the highs. Comes with four-conductor hookup cable.

complete setup
Recommended for bridge position. Often a JB is paired with a neck pickup like the SH-2n Jazz (Seymour's favorite) for versatility or a SH-1 '59 for P.A.F. tones.

guitars
For balanced and warm instruments. Works especially well with rosewood fingerboards.

available mods
Nickel or gold-plated cover. Trembucker. 7-string version. Available in matched set of SH-4 JB Model bridge and SH-2n Jazz Model neck.Colors (humbucker spacing).

players
Paul Stanley / KISS, Gary Rossington / Lynyrd Skynyrd, Ty Tabor / King's X, Steve Marker / Garbage, Nick Hexum & Tim Mahoney / 311, John Connolly / Sevendust, Dave Mustaine / Megadeth

Paul Gilbert PGM100 guitar

The most recognizable guitar from Paul gilbert, it has a really unique color and the f-hole just stand out from the guitar, you even can see the guitar clearly from 100 yards away! Its been 20 years since paul gilbert firstly use this amazing guitar.

Guitar specs:

• neck : 5pc Maple/Walnut Neck 
• body : Basswood
• frets : Jumbo
• finger board : Rosewood
• bridge : Edge
• pickups : 
  DiMarzio® Paf Pro® (H) neck pu
DiMarzio® FS-1™ (S) mid pu
DiMarzio® Paf Pro® (H) bridge pu

• Hardware color : Cosmo Black
• color : JB (Jewel Blue)

Tilt Neck Joint

The traditional neck joint has a metal plate with 4 screws, yet the tilt joint still offers easy upper fret access. Paul likes this original neck joint for its tonal characteristics, and it can be found on the latest PGM401 model.

Dimarzio® PAF-Pro® Humbuckers and a true single coil FS-1™ are the mighty combination for Paul's searing, shredding and even crystal clear tone. All can be dialed in with the Ibanez Sprit-5 switching system.










Edge Tremolo BridgeThe legendary original Edge Tremolo bridge was one of the most reliable double-locking systems for 80's shred guitarists. Paul was a heavy whammy user in that period.

Paul Gilbert Genius Improvisation with Nathan East

You guys should see this cool jam! They only use one chord for the entire jam, A chord! see how they could make simple A major and minor scale into amazing jam! Enjoy!

Cobalt String: Does it makes your guitar sound better?

Ernie ball company said yes. From scientific experiment, cobalt is the element that can give more output to guitar than other element in the periodic table. More output mean more clarity, more volume and more everything, and the most important is your guitar can cut through the most dense rhythm in your band, sounds good?


Engineered to maximize output and clarity, Ernie Ball Cobalt Slinky Guitar Strings are the latest innovation in string technology. Seeking to provide guitarists and bassists with a new voice, Cobalt strings provide an extended dynamic range, incredible harmonic response, increased low end, and crisp, clear highs.

Cobalt provides a stronger magnetic relationship between pickups and strings than any other alloy previously available. Cobalt Slinkys are also soft and silky to the touch, making string bending a breeze.

Nuno Bettencourt: amazing right hand rhythm

Nuno Duarte Gil Mendes Bettencourt (born September 20, 1966) is a Portuguese American guitarist, singer-songwriter, and record producer. He is best known for his role as the lead guitarist of the Boston rock band Extreme whose hits include the acoustic ballads "More Than Words" and "Hole Hearted".

Guitar virtuoso Nuno Bettencourt made his name with the eclectic pop-metal outfit Extreme during the height of the guitar-shredder era, and embarked on a solo career after the band's breakup.

Unable to make a dent in the music world with his Boston-based hair-metal act Sinful, Bettencourt rose to international prominence as a guitar player after he joined the Boston-area group Extreme in 1985. 

The song Cupid's dead, Get the funk out, Decadence dance and tons of other funk metal songs cemented his name as one of the greatest funk guitarist with amazing accurate tempo.

ROLAND JAZZ CHORUS

Roland Jazz Chorus is the name given to a series of solid-state instrument amplifiers produced by the Roland Corporation in Japan since 1975. Its name comes from its built-in analog chorus effect. 

The Jazz Chorus series became increasingly popular in the late 1970s and early 1980s new wave and post-punk scenes because of its clean yet powerful sound, durability and relatively low cost when compared to the more commonly used amplifiers of the time such as Marshall or Fender. 

It also found favour amongst funk players in America. It also became popular to use for clean tones in heavy metal, with the most famous users being James Hetfield and Kirk Hammett from Metallica.

It’s been thirty years since the first Roland Jazz Chorus guitar amplifier made its appearance. With its astonishing “JC” chorus effects and distinctive clear, tonally pure sound, the JC amp has become an industry reference.


There are two channels, one clean, the other with effects. The built-in effects include stereo chorus, vibrato, reverb, and distortion. The amplifier features high and low inputs, a bright switch as well as a three band equalizer and volume for each channel.


Uncompromising sound quality, unique chorus, and rugged construction make this amplifier a must-have for any serious musician.